Friday, July 7, 2006

I READ ABOUT THEM IN TIME MAGAZINE: Ok, so much to Adam's chagrin (I'm guessing) not many people have seen The Searchers, but let's try this film appreciation thing again with a slightly more popular film. Kenji Fujishima has a really nice piece about Die Hard on Matt Zoller Seitz's site today:
Screenwriters Jeb Stuart and Steven E. De Souza differentiate their hero from the other macho men of the era by making McClane fallible and vulnerable while being undeniably heroic. He is prone to making mistakes, whether in his relationship with his wife—who's just as sassy as her husband—or in his various fights with bad guys. At an inopportune time, he brings up an old bone of contention with Holly; at another point, while trying to stop two terrorists from bombarding police with a rocket launcher, he drops too much plastique down an elevator shaft and causes a bigger-than-expected explosion inside the building. Through it all, the filmmakers keep reminding you of McClane's desperation: how he’s trying to save the hostages while staying alive himself. As an actor, Bruce Willis contributes by allowing his character to seem sweaty and fearful at times: when the going gets tough, not only is does his tank top shirt get dirtier, he talks to himself. All of this deepens the emotional stakes of the action sequences. In such a context, the story's violent crests aren't mere "fun." They actually seem to matter. . . .

Walking in the bootprints of cruder 1980s action spectaculars (Rambo, Commando), Die Hard didn’t need to add brains to brawn; the filmmakers could have simply bombarded the audience with a lot of noisy action scenes, and most viewers still might have felt they'd gotten their money’s worth. But this movie understands that a great action film shouldn't just deliver action, but also construct an authentic emotional framework to support the action—to make us care about what is happening onscreen rather than just setting up the next sensory assault. For all its self-mocking humor, it's a rare pyrotechnic blockbuster dares to take the characters and situations seriously— a sense of conviction rarely seen in eighteen years' worth of imitators.

Via IMDB: "Bruce Willis was the fifth choice for the main character. It originally went to Arnold Schwarzenegger, then Sylvester Stallone, then Burt Reynolds, then Richard Gere before Willis got it."

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